Video Analysis of ICE Shooting Sheds Light on Contested Moments

 https://www.nytimes.com/video/us/100000010648638/ice-shooting-renee-good-minneapolis-videos-analysis.html

 Now let’s go back and analyze some of the key contested moments of the agent’s cellphone video, alongside other footage, to break down what happens during these critical six seconds. Here, the agent’s cellphone footage shows he’s moving directly in front of the S.U.V. as it’s reversing and rotating towards him, initiating a three-point turn, apparently to leave. Law enforcement officers are trained to avoid doing this because it puts them in danger, and often leads to the use of force against drivers. His cellphone is focused squarely on Ms. Good. She looks down, shifts into drive, and begins turning to the right, away from the agent. Cut to this high angle and zoom in. We can make out the agent’s body and his arm filming. We can also see, at the same time, he’s beginning to lift his other arm. On these cameras, we can see what’s happening around agent Ross. The other agent is yelling orders and reaching into Ms. Good’s S.U.V. Her front tire spins as she continues turning right. Agent Ross is at least a few feet away from Ms. Good’s S.U.V. He does not appear to move out of the way. As the S.U.V. rolls forward, the agent unholsters his firearm. We see in his cellphone video, at this moment, the camera drifting off to the left. The agent is no longer focused on filming. It’s at this point in the cellphone video where it first looks and sounds like the agent’s getting knocked violently. “Whoa!” [thud] On the other camera, we can see what’s happening. Here is agent Ross aiming his gun at Ms. Good. And here is his outstretched arm, leaning toward her vehicle, which is barely visible behind the Tahoe. His phone, which is gripped in his left hand, flips over when the agent’s hand lands on the front of the vehicle. There’s an audible thud when it hits. “Whoa!” [thud] The camera rotates up towards the sky. Again, while it appears the agent’s getting knocked over, we can see that’s not the case from the other angle, which shows he’s standing with his hand near the headlight, his torso and legs away from the vehicle. In the cellphone footage, the agent’s face flashes on screen, then it goes black. The other angle shows us why. We can see the agent’s foot sliding, his hand bracing against the S.U.V. and his arm getting pressed into his chest. It is impossible to determine if this is happening because of the S.U.V.’s movement or the icy asphalt or, more likely, both. And what’s very unclear, because of the limited quality and availability of footage, is whether the agent’s upper body gets swiped by the vehicle as his left foot slides back. This moment is when agent Ross fires. We see the other agent pulled back from the S.U.V. Both of them stumble, apparently slipping on the ice. This is also the moment many have said looks like agent Ross getting run over. And it does when watched at full speed. But looking more closely, we can see in multiple angles that there is a visible gap between the vehicle and his legs, indicating his feet are positioned outside the S.U.V.’s path. The agent’s left hand is still against the vehicle and gripping his phone. We see, as he fires, it’s recording the clouds and the trees overhead. It’s not because the agent is knocked to the ground. The other angle shows he’s still standing, continuing to maintain his grip on his phone and his gun, and we see a clear and growing gap between his body and the S.U.V. as he fires a second shot and a third. None of the bullets have the effect of stopping the S.U.V., but they kill Renee Good.