The central argument of Amusing Ourselves is simple: there were two landmark dystopian novels written by brilliant British cultural critics – Brave New World by Aldous Huxley and Nineteen Eighty-Four by George Orwell – and we Americans had mistakenly feared and obsessed over the vision portrayed in the latter book (an information-censoring, movement-restricting, individuality-emaciating state) rather than the former (a technology-sedating, consumption-engorging, instant-gratifying bubble).
Unfortunately, there remained a vision we Americans did need to guard against, one that was percolating right then, in the 1980s. The president was a former actor and polished communicator. Our political discourse (if you could call it that) was day by day diminished to soundbites (“Where’s the beef?” and “I’m paying for this microphone” became two “gotcha” moments, apparently testifying to the speaker’s political formidableness).
What would these people do with their lives if they didn't have Trump to obsess over?
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