New Yorker When I was in high school, at Horace Mann, in the Bronx, in the
nineteen-seventies, everyone took pride in the brilliant eccentricity of
our teachers. There was an English teacher who slipped precepts from
the Tao Te Ching into his classes on the Bible and occasionally urged us
to subvert standardized tests by answering every question with the word
“five.” There was a much loved language teacher who would pelt
distracted students with a SuperBall. There was a history instructor
who, in a lecture on how the difficulty of delivering mail in the early
days of the republic helped shape Federalist ideas, would drop his
trousers to reveal patterned boxer shorts.[...]
One group of boys stood apart; they insisted on wearing jackets and
ties and shades, and they stuck to themselves, reciting poetry and often
sneering at the rest of us. A few of them shaved their heads. We called
them Bermanites, after their intellectual and sartorial model, an
English teacher named Robert Berman: a small, thin, unsmiling man who
papered over the windows of his classroom door so that no one could peek
through.[...]
Berman could be mercilessly critical. He called boys “fools” and
“peons” and scoffed at their vulgar interests in pop culture, girls, and
material things. He was a fastidious reader of students’ work and a
tough, sometimes capricious grader. He noted carefully who accepted his
authority and who resisted. After he overheard one boy imitating him in
the hallway, he covered the boy’s next paper with lacerating comments:
“You used to be better.” On the rare occasion when a student earned his
praise, he would be celebrated. Now and then, Berman would ask for a
copy of a particularly well-wrought paper, which the boys took as the
highest compliment; they called it “hitting the wow.”
One afternoon in 1969, Berman announced that a tenth grader named
Stephen Fife had written a paper that indicated he could be the next
Dickens. Soon afterward, Berman asked Fife to see him after class. This
was the ultimate invitation: personal attention from the master, who
would go over a student’s writing line by line, inquire about problems
with his parents, and perhaps tutor him privately in art history or
Russian.[...]
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